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Montage
Unrelated fragments cut together, telling a story none of them held alone. -
Sepia Grain
The sepia of old photographs, grain and all; memory comes in this color. -
Cross Process
Film developed in the wrong chemistry: the colors drift off course, and turn out lovelier for it. -
Anamorphic Flare
A light crosses the anamorphic lens, and a blue flare streaks across the frame. -
Tungsten Light
The tungsten lamps come on, and everything on set turns warm and orange. -
Day for Night
The old trick of shooting night in daylight: one filter, and noon becomes a deep blue evening.